Wrapping up the aboriginal ision in its gly new me at the Pompano Beach Cultural Center, Outre Theatre Aggregation has adapted its all-embracing achievement amplitude into a abode area the storytelling feels intimate, annoying and berserk theatrical.
“Hedwig and the Angry Inch,” that difficult-to-categorize agreeable by John Cameron Mitc and composer-lyricist Stephen Trask, bliss base and takes names. If you appear to be cutting socks, stars Mike Westrich and Kat Gold, backed by the bound Angry Inch band, will beating them off. Maybe accomplish them spontaneously combust.
First uced off-Broadway two decades ago, the Obie- and Tony Award-winning “Hedwig” intertwines its anecdotal with a account that ps from glam bedrock to to aching laments.
Gender and ually frank, abounding of amut and acerbity and sorrow, the agreeable leaves a bit of allowance for contemporary cracks. As the complicated appellation character, Westrich obliges with calmly delivered zingers aimed at the accepted president, his wife, TV ancrperson Megyn Kelly and a adjacent amphitheater company.
Between the sw’s able agreeable numbers, the amateur fills the admirers in on Hedwig’s bouldered activity story.
Shannon Ouellette / Courtesy
Kat Gold plays Hedwig’s bedmate Yitzhak in Outre Theatre Company’s “Hedwig and the Angry Inch.”
Kat Gold plays Hedwig’s bedmate Yitzhak in Outre Theatre Company’s “Hedwig and the Angry Inch.” (Shannon Ouellette / Courtesy)
Born Hansel Schmidt, the self-described “slip of a changeable boy” grew up in antipathetic East Berlin. Abandoned by his father, unnaturally aing to his above mother, Hansel was wooed and won by a G.I. called Luther Robinson, w proposed and offered a new activity in the United States. One hitch: Gay alliance wasn’t legal, and a concrete ay would be appropriate to prove Luther was marrying a adolescent woman. Hence, the affair adulterated gender-reignment anaplasty that would accomplish Hedwig’s activity way added complicated activity forward.
Life in a Kansas bivouac esplanade accepted no easier. Abandoned by her hubby, Hedwig keeps anatomy and body calm by accomplishing abounding things — some actionable — and eventually meets the guy she considers her soulmate.
Tommy Speck is a gles-wearing Army brat, a adherent Christian with agreeable ambitions that Hedwig encourages by autograph what will prove to be Tommy’s best songs. She rechristens him “Tommy Gnosis,” his new aftermost name actuality the Greek chat for knowledge. His career ascendant, Tommy account ample venues (including one that is allegedly aing door), abrogation the alone Hedwig to a activity of arena “seedy” clubs like the one in which we acquisition ourselves.
Remarried to a above annoyance queen called Yitzhak (Kat Gold), the aloof common article of Hedwig’s exact abuse, the not-so-glam rocker has aloof been bent up in a aspersion involving Tommy. And so, absorption on her activity amid gesic agreeable numbers, Hedwig is melancly, playful, cruel, funny and moving.
Staged by aesthetic administrator Skye Whitcomb, Outre’s “Hedwig” is magnetic.
Sporting a big-hair albino wig and the character’s abstract beam makeup, Westrich contest complete ability over a absent audience, admitting a few ume afraid that Hedwig may airing over to coquette or branch on a lap (the anxiety are justified, by the way).
Westrich is, apparent and simple, amid South Florida’s finest musical-theater actors, and his moving, emotionally varied, abiding command in “Hedwig” is magnint. He additionally happens to acquire a abundant bedrock articulation and delivers ertive performances of the songs, including the addictive “Wicked Little Town.”
As Hedwig’s aloof added half, Gold communicates with looks and grimaces, but wow, can she sing. Sometimes arena guitar, Yitzhak angelus in on abounding songs with abetment vocals or affiliation pages, and Gold’s able articulation blends altogether with Westrich’s. When she claims the spotlight to sing “The Long Grift,” she owns that moment (and abounding more).
Musical administrator Caryl Fantel, activity for a goth vibe, plays the keyboard (and does her own $.25 of advancement singing) in the onstage band, which additionally appearance Rupert Ziawinski on b, Greg Minnick on guitar and Evan Kline on persion.
Set artist Daimien Matherson, apparel artist Erin Charles, lighting artist Cliff Spulock and complete artist Todd Silver accommodate the intimacy, era touchstones and agreeable mix all-important for “Hedwig” to acreage as it suld.
South Florida’s affluent 2017-2018 amphitheater ision continues, but Outre’s “Hedwig” will accomplish itself deficient way too soon, closing April 8. Westrich, Gold and the appearance calmly affirmation a abode amid the season’s best experiences.
“Hedwig and the Angry Inch” is active through April 8 at the Pompano Beach Cultural Center, 50 W. Atlantic Blvd. Swtimes are 8 p.m. Thursday-Saay and 2 p.m. Sunday. Tickets amount $39 ($19 acceptance and industry tickets). To order, alarm 954-545-7800 or go to CCPompano.org or OutreTheatreCompany.com.
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