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PDI Pto/Kimberly dela Cruz

Tell bodies you’re attractive for the artists of “Juan dela Cruz,” and they’d point you to an old mortgaged amplitude in Brgy.  Tatalon, Quezon City, with a arresting afterimage no ytical aggregation could miss: a huous rse amount on top of the roof.

On the advanced yard, a ragged aculation of men expertly administer paintbrushes and different accoutrement as they casting and carve creatures as colorful, ancient and complicated as their tattoos.

It’s Philippine abyss belief arise to life, as elves, tiyanak, kapre, tikbalang and added awful monsters army anniversary added out.  In a anniversary or so, these aberrant beings would arise on “Juan dela Cruz,” a approved actualization on ABS-CBN, starred by Coco Martin.

That rse on the roof had its own close-up not so continued ago: as Vice Ganda’s adapt ego in “Petrang Kabayo,” a antecedent activity of Oceanima Productions.

PDI Pto/Kimberly dela Cruz

It is on Halloween—the glamorized adaptation of our built-in Undas—when the scariest monsters edge out of these artists’  acrylic boxes to attempt in disorderly parties and gatherings.

But for the prosthetics artists of Oceanima, every day is Halloween, and every alarming apparel and affectation a necessity—a antecedent of circadian subsistence.

Comprised of about 30 artists, the aculation is one of the few prosthetic companies in the country that ignment for television and films.

There are two companies that action the account in ABS-CBN: Oceanima and MRP (Mountain Rock Productions). For its battling network, GMA, three groups attempt for the job: Livecast Productions, Mercenario and one aculation of alone freelancers like Cecile Baun.

SCARY: A acrylic mask. PDI Pto/Kimberly dela Cruz

Baun, Benny Batoctoy and Ernie Carvajal are three of the avant-garde prosthetics artists in the Philippines.

Making nightmares arise animate is the foremost ambition of these guys w accept baffled FX Prosthesis, a behind-the-camera action that involves orted stages: life-casting, appliance and the abatement of make-up.

Their creations ability accomplish admirers quake, but prosthetic artists accede as awful the amount of their tools.  Some of the abstracts acclimated in crafting appropriate furnishings masks and composition are vulcanized latex, ache beard that costs about P10,000, cream acrylic and attic gel, and a affectionate of adhesive that sells for P13,500.

Creating a distinct prosthetics affectation costs about P80,000. For anniversary awning appearance, the embly pays an added P15,000 to P20,000.  These awning alone actual costs for retouching, as the artists accept no overtime pay.

Most prosthetics artists acquire P2,000 a day, or a best of P32,000 a ages if they ignment four times a week.

Richard Carvajal. PDI Pto/Kimberly dela Cruz

Another daydream of the job is the annoying action involved, sing with the artistic administrator sending a abstraction architecture to adviser the artists in their work.

The artists alpha by autritative a casting of the actor’s specific anatomy allotment and use this as their abject for abstraction the accurate aftereffect needed. Additionally alleged activity casting, the mold-making action involves such abstracts as prosthetic alginate or silicone rubber. Afterwards the antecedent mold, a harder casting fabricated of adhesive or fibergl bandages is created for added support.

The abrogating casting is anon abounding with adhesive adhesive to actualize a absolute mold, and sculpted in adobe on top of the positive. Afterwards the sculpting, a additional casting is made. The prosthetics material, usually a cream latex, is casting into the casting cavity.  Now tse are aloof the antecedent accomplish to creating a prosthetics mask.

Jaime del Rosario. PDI Pto/Kimberly dela Cruz

No admiration that for Oceanima’s contempo project, it took the artists from 12 apex to 7 in the black to actualize 30 masks and apparel for actomed bit actors to transform themselves into elves, tiyanak and kapre. The prosthetics masks are alert on their faces, and the aftereffect completed by anatomy painting and costumes.

Talent Romel Laan, 17, said it was his aboriginal time to be put prosthetics on: “Nakaka-kaba (It’s scary),” he said. “The affectation will be alert on our faces.”

Zap, addition apude w plays a kapre, that allegorical cigar-cmping animal w lives on trees, accepted that his face acquainted acquisitive and abundant because of the make-up.

Joel Cuenca. PDI Pto/Kimberly dela Cruz

“Some talents and actors would ace and ask if the composition action could be sped up; they don’t accept the action is tedious,” said prosthetic artisan Rogelsen del Rosario. “Sometimes, they will acquaint you, can we do this in 10 minutes?” he added. “But we can’t do anything. Ganun talaga (that’s aloof the way it is).”

On top of the accessible aation of some actors, prosthetic composition artisan Richard Carvajal acclaimed that there are tse w are absent-minded about their make-up, so artists had to do time-consuming retouches.

In a antecedent interview, Zsa Zsa Padilla, one of the advance villains in “Juan dela Cruz” said the better claiming in her role is not “what goes on in advanced of the camera, but the affairs for the sot.”

Zsa Zsa plays Laura, a shape-shifter, w alternates amid animal anatomy and that of a man-eating as (vampire).

“You accept to be absolutely patient,” she said. “Our appropriate composition takes up to two urs to apply.”

There were times, she recalled, back the casting was in abounding composition but unexpectedly, the sot would be arranged up because of ceaseless rain or the abridgement of accessible time. This happened thrice, she added.

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Rogelsen del Rosario. PDI Pto/Kimberly dela Cruz

As for the prosthetics artist, backbone pays off as well. They suld be added accurate not to accident the face of their subject, Del Rosario said. “Prosthetics booty and charge time,” he explained.

And he agency it literally, back their ignment does not end afterwards the composition session.  Like the account and talents w delay for their aing scene, prosthetics artists additionally accept to delay out the sot to ensure that there are no discolorations or advenious accident to the masks.

Jaime del Rosario, Rogelsen’s brother and colleague, said prosthetics composition retains its candor for up to bristles urs, and retouching is accepted for continued sots.

Altugh the job entails angrily continued urs and aative work, Joel Cuenca, 36, arch of the Oceanima Productions, considers aggregate a dream arise true.

Indeed he has arise a continued way to become freelder of the “Juan dela Cruz” adventure in 2012, the aggregation abaft the prosthetics in such teleserye as “Luna Blanca,” “Wish Ko Lang,” “Munting Heredera” and “My Beloved.”

He acclimated to be a fisherman from Mindanao, appropriately the name Oceanima Productions, Cuenca said.

“Sa province, walang prosthetics, ang meron ay kamote,” he would antic of his hard-scrabble beginnings.

From Dipolog in Zamboanga del Norte, Cuenca approved his affluence in Manila  and took up a abbreviate advance in Practical Electricity at the Samson Science and Technology scol.

From 1994 to 1997, he formed as attendant at the MRP prosthetics sp, befitting the architecture clean, bathing the dogs and abrasion the aggregation vehicles.

He would beam the prosthetics artists at their job, and at night, would try out what he saw application the modelling adobe that he had bought with his own money.

It wasn’t accessible acquirements on his own.  He was generally told off: “Janitor ka lang, fo on your work.” Fortunately, his bang-up absitively to accord him a break.  He fabricated himself aces of that urance and formed hard, all the while celebratory the added artists and cogent himself that someday, he’d apprentice abundant to be on his own.

Cuenca now manages a prosthetics boutique that employs artists he acclimated to ignment with, application as s-up basic the P200,000  he had saved  and money he had acceptable from added baby businesses.

Business has been acceptable and anon enough, he managed to save abundant to anatomy a six-storey abode in Quezon City, which serves as the branch addendum of his of.

“I never anion I’ll go this far,” Cuenca said. Aggregate comes from Him, he added, casual at the cave in his place.

“Everything paid off afterwards alone 16 years. And I am grateful,” he said.

Beside the cave is a atom area the fibergl creations are made.  To anatomy a monster’s body, the fibergl is alert on the mold. Thanks to the accessible air area and acclivity of the place, the chancy effluvium from the chemicals acclimated in fibergl prosthetics get dissipated, said prosthetics able Armando Borgueta.

Doing prosthetics is a ancestors business for the Carvajals, with Richard actuality the fourth amid the breed to abide the barter sed by their grandfather, the avant-garde Ernie Carvajal.

He’d like to abide the earlier man’s legacy, Carvajal said, aba that abreast from Oceanima projects, he additionally does freelance ignment with Animal Boutique Prosthetics Make-up, a prosthetics boutique he conceptualized and sed.

“Prosthetics has been my life, my antecedent of living, my culture, my claimed expression,” he added. “[I] can’t ane of accomplishing added things afar from this.”

Creative abandon is article he aspires for, Carvajal said.  It’s not yet a actomed in Philippine prosthetics, he admitted, compared to Hollywood  standards but we’re accepting there.

In Hollywood, it can booty months to actualize prosthetics, he said. But actomed our bound account and the pacing of telenovelas, a anniversary is all it takes to accomplish monsters here, Carvajal said.  “Despite that, adroitness allows Filipinos to innovate and aerate accessible materials.”

For Jaime del Rosario, 35, alive as a prosthetics artisan ability yet be the best way to accomplish a name for himself.

“I’ve already dreamt of acceptable a civic artist,” he said.  At the Juan Sumulong High Academy in Rizal, he won an on-the-spot affiche autritative contest. “I capital to booty Fine Arts, but banking constraints got in the way,” he said.

The automated artisan undergraduate of Polytechnic University is allotment of the aggregation that creates melanclia decorations for the Santa Lucia Mall area he earns minimum wage.

His ignment as a prosthetics artist, on the added hand, gives him best satisfaction.  “Altugh we’re added of craftsmen than artists, I adore my work,” he said.  “The cartoon action is like a baby; it grows, and you accept the accommodation to advance it.” Back he creates a piece, he would consistently see it in its entirety, not aloof the face but the added genitalia as well, he added.

So far, his best advantageous acquaintance had been alive on “Si Agimat at Si Enteng Kabisote,” which won best composition in the 2010 Metro Manila Film Featival. “We were allotment of the team; the acceptance fabricated me proud.”

His job is a lot of fun, but it’s additionally austere business, he said. “You will be apparent to chemicals and there are a lot of hawkeye nights, admitting we’re acclimated to that.  What’s important is that we accept an admission for expression.”

These prosthetics artists accept the ability to accomplish fantasy a absoluteness with a little abstraction and coloring, and a lot of imagination.  In their world, aggregate is possible. •

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