Saay night at the O2 and, in the Greenwich arena’s breezeblock bowels, the evening’s banderole artisan pads into her bathrobe allowance with an acknowledgment and a revelation.
“Thanks for waiting!” beams Kacey Musgraves. “Sorry, my Spanx were adamantine to accord with.”
It’s two urs afore swtime. Country music’s ascent — or, now, risen — brilliant is a eyes in glossy, dyed-black hair, creamy slippers and a “fantabulous bubble aigrette jumper dress” fabricated by the London “cool girl” abaft characterization Aesthetic Laundry.
“I saw her on Instagram and I messaged her. She’s fabricated a few pieces for me, and I absolutely like acknowledging baby businesses. My parents had a baby business for as continued as I can remember,” says Musgraves, 29, “a book sp, accomplishing business cards, faxes. I formed there aback I was in aerial scol. ‘Printing & Graphics, this is Kacey, w can I advice you?’” she chirps. “They agreed absolutely I was their affliction f***ing agent ever.”
The swearing, the support-underwear acknowledgement, the fashion-forward consciousness-expanding goth look: Texas-born Musgraves is far from your boilerplate Nashville star. Yet actuality she is, a headlining artisan at the anniversary C2C (Country To Country) festival, an aboriginal befalling for the Grammy-winner to bare songs from her third al, Golden Hour.
Like too-obvious abstain Taylor Swift, the ambitions of Musgraves — w is amphitheatre Wembley Amphitheatre this autumn — lie far from the country heartland. But for all its fantastically winning, sweetheart-of-the-rodeo songwriting, Golden Hour additionally appearance a disco tune (the “Bee Gees with a bit of a western influence”, Aerial Horse); a co-write with Ed Sheeran istant Amy Wadge (Thinking Out Loud), and a tiny bit of vocoder.
“I wondered: is there a apple area Daft Punk meets country?” says Musgraves, afresh pedi’d toes askew in her Seventies slippers. “Where approaching meets traditionalism? So there’s still pedal animate and banjo and organics but beyond with all this crazy s**t!”
The non-Nashville apple is listening, too. Two canicule from now she’s bustling annular to Elton John’s abode to arise on his Rocket Hour radio appearance on Beats 1. Again it’s aback to the US to adapt for her abutment aperture on Harry Styles’ American amphitheatre tour.
Even cooler: actomed the abiding abnegation of country music, Musgraves is impressively all-around to allege her apperception and carve out her own (expanding) bend of the genre. On 2013’s Same Trailer Different Park antlogy this begin anatomy in what she proudly calls her “LGBT anthem”, Follow Your Arrow. On 2015’s Pageant Material, her additional country archive No 1, Biscuits, encouraged admirers to “smoke your own smoke”.
Now on Golden Hour, her aggressive faculty of appearance is proclaimed on the song Mother. Musgraves advisedly admits it was aggressive by “micro-dosing on LSD” — and admits this in the columnist abstracts issued by her almanac label.
“That ashamed the out of my mom and grandma,” she addendum cheerfully. “But I said, sorry, I accept to acquaint the truth. Psychedelics accept been article that I’ve agilely dabbled with… If you’re amenable about it, it can be a absolute thing. It’s absolutely opened my affection and apperception in a lot of ways.”
Her heart, equally, has been opened by love. Since Pageant Material, Musgraves has affiliated artist Ruston Kelly, their eyes accepting met over a awash micropne at a singer-songwriter night in a club. “It’s so Nashville,” she cool of their aboriginal appointment two years ago.
That accompaniment of beaude explains the affluence of adulation songs on Golden Hour. Musgraves, accurate to acute form, is acquainted of the limitations. “I don’t appee bodies to be like, ‘We get it, you’re married, you’re in love, boring, snoozeville, song cardinal 13…’”
Hence a song afflicted by LSD and additionally Aerial Horse, which takes pokes at “that appearance anybody knows, whether it’s an ex-boyfriend or a politician”, she says. In agreement of the latter, she refuses to name names, possibly in acquiescence to both her red-state roots and to the agreeable apple that continues to anatomy the affection of her audience.
Still, it’s accessible she agency the Pussy Grabber-in-Chief aback she talks witheringly of the “ugly s**t” that’s activity on in American society. Musgraves is added angry still aback dissing w #MeToo ability appulse on a business that’s still abundantly patriarchal.
“That’s absolutely a mindset that’s about all the time in the music industry,” she agrees. “I’m been advantageous never to accept accomplished a concrete amount of that. But comments will be made.
“In country music,” she continues, “there’s a mive added burden on females to be added all-around and added affable and added amorous with radio programmers. And if you’re not, they characterization you as a allegation and they don’t do annihilation added to advice you.
“But again all these guy artists cycle in, cutting their sungles 24/7 and partying all night. It’s not absolutely fair, [because] they do bigger because of that.”
Musgraves tells a adventure from the promotional ambit for Same Trailer Different Park. “I was on the radio and I was cutting some abbreviate srts — God forbid I suld appearance my legs; it’s not 1930 — and this radio programmer said: ‘Wow, you accept the nicest legs, do you apperception if I blow them?’ This is on air!” she exclaims, again laughs. “I’m like, ‘Well, at atomic you asked!’”
“At atomic now,” says Musgraves, “people accept the urance — or the es — to angle up and alarm bodies out.”
Golden Hour (MCA Nashville/Decca) is appear on Friday
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